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The Blomquist Pavilion. Photo by Sue Lannon. |
By Sarah Leach Smith
Visitor Services Coordinator
This post marks the first in a
series highlighting the curators and plant collections of Duke Gardens. It is
thanks to them that we are a world class botanic garden!
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Curator Stefan Bloodworth. Photo by Cecelia Xie. |
When walking through the Blomquist Garden of Native Plants, many people find themselves thinking a common thought: "I feel like I’m in the middle of
the woods!"
The Blomquist Garden is one of four
unique gardens in Duke Gardens. Its curator, Stefan Bloodworth, is glad that
people feel like they are in the middle of the woods rather than the middle of
the city of Durham. As with each distinct area within Duke Gardens, this garden has a unique history and mission.
The Blomquist Garden was dedicated
in 1968 in memory of professor Hugo L. Blomquist, the first chair of Duke
University’s Department of Botany. At that time, the garden was an extensive
fern collection to honor professor Blomquist’s extensive knowledge of native ferns.
The collection was about one-quarter of the size of the present-day garden.
Bloodworth’s tenure as curator of
the Blomquist began in 2002. By that time, the garden had expanded beyond ferns
to include other types of plants native to the southeastern United States. The
collections were well established, but Bloodworth was excited to put his spin
on things. His background was in forest ecology, landscape design and
carpentry.
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McNabb Family Bridge and Stream. Photo by Rick Fisher. |
Since his arrival, Bloodworth has
worked to advance and evolve the Blomquist Garden in several ways. One of his
first goals was to incorporate signature hardscapes that would complement
and enhance the existing landscape elements. When planning for these projects,
Bloodworth is deeply thoughtful with his aesthetic. From the material type
and origin to the structural design, everything has to have a reason for being
used.
One recent project is the McNabb Family Bridge and Stream. The integration of the wood and metal in the bridge serves both a functional and aesthetic purpose, tying together nature and man-made materials. The wood was locally sourced southern reclaimed sinker cypress, and the metalwork, integrating sculptural accents inspired by native species, was created by a local artisan.
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Close-up of metalwork on the McNabb Family Bridge. Photo by Bob Ayers. |
“Everything has a purpose. There are
stories everywhere, in every element of the design,” Bloodworth says.
This same philosophy encompasses the
horticultural goals that Bloodworth has for the Blomquist. “Just like every
landscape architecture design decision you make has a story behind it, so does
every planting decision that you make.”
Bloodworth wants the garden to communicate the
idea of “conservation horticulture” to its visitors. He takes into account
ecosystem science and wildlife habitat design when creating new spaces.
His aim is to create a “museum in the woods” to help visitors understand
that they are in a botanical garden with unique and special collections, and he
uses educational signs to interpret the space and help people appreciate what
they are seeing and experiencing.
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A male red-bellied woodpecker in the Blomquist. Photo by Stefan Bloodworth. |
One of the “exhibits” in
Bloodworth’s museum is the Steve Church Endangered Species Garden. Created in 2004, this collection
of plants aims to educate people about the importance of conserving rare
species. Most of the species in the collection have a sponsoring organization or a custodial partner,
such as a fish and wildlife agency or a botanical garden, which is responsible
for monitoring and actively conserving these plants in the wild. The sponsoring
organizations will also take action as needed to promote the protection of the
species’ natural habitats and ex-situ conservation. Visitors can learn about these organizations from interpretive signs in the Endangered Species Garden. Smartphone accessible QR codes included on the signs link visitors with in-depth information about each species, including the names of the groups charged with their care.
Bloodworth believes that with its more than 300,000 visitors each year, Duke Gardens has a unique opportunity to teach
people about the importance of plant conservation and connect visitors with the organizations working to protect these disappearing species. More information about plant conservation and sponsoring organizations can be found on the Center for Plant Conservation website.
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Starry rosinweed. Photo by Sue Lannon. |
The Blomquist Garden of Native
Plants is a special space any time of the year. Because of the garden's unique
collections and wildlife, dogs and bicycles and not allowed. We hope you'll take a stroll
through this “museum in the woods” on your next visit to Duke Gardens!